Mee Raqsam is an ode to fathers who guide their children to the path where dreams come true, notes Sukanya Verma.
The Christina Aguilera film just does not make the cut.
'When you are new, you don't know how the industry works'. 'But when you know where you are headed, the possibilities of being conned or facing unpleasant instances is reduced.'
Goodbye makes ordinary places, ordinary people and ordinary events become interesting, observes Mayur Sanap.
Yeh Kaali Kaali Ankhein is watchable for its able cast of reliable veterans and talented youngsters, notes Sukanya Verma.
Deepika Padukone embodies to perfection the Gehraiyaan in the title, applauds Sukanya Verma.
Modern Love Hyderabad, even though predictable, is interesting in parts and keeps you entertained emotionally, observes Divya Nair.
We asked colleagues, present and past, to reflect on a man who has made such a difference to their lives and careers. Here it is then, a rich collection of memories that offer enchanting glimpses of the enigmatic Ajit Balakrishnan.
Janhvi Kapoor's acting skills have improved since her first outing, notes Namrata Thakker.
Deepa Gahlot picks 10 Web series that was worth the viewer's while.
What Ahaan lacks in film-making, it makes up by way of humble charm, observes Sukanya Verma
Soorarai Pottru HELD A Ganesh Nadar'S attention till the last frame.
'Nobody told me upfront that you are a Marathi girl so we will not cast you.' 'I questioned myself: 'Am I not good enough?' 'Am I not good-looking to be in this industry?''
Kota Factory finds success in a winsome cast as they lend heart to its moods and mundanity, notes Sukanya Verma.
Pendulum swings towards tighter measures against transgender athletes
Madhavan doesn't try to be Charlie, and makes Maara stand out like a fresh film, feels Divya Nair.
Bullets fly, the noise becomes unbearable and the plot finally ends with the hero doing an unbelievable leap on to the ski of the helicopter aka Schwarzenegger, flown by our pretty heroine. UFF UFF! Squirming in my seat, I ponder over what I have been through, sighs Air Commodore Nitin Sathe (retd).
One of the most famous Indian faces on the planet, everything Priyanka Chopra Jonas learned, she learned it on the job.
'In every episode, you are tricked into believing that this messy girl whose life is falling apart is so talented and real that you have to love her for who she is.' 'And you will love her eventually because Masaba is effortless and looks stunning in every frame,' notes Divya Nair.
India and Pakistan's tumultuous relationship is fodder for drama in many Bollywood movies. Be it Partition, war, jingoism or aman ki asha, there is a movie for every theme and timeline.
Enakkul Oruvan is an engaging and admirable effort by debutant director Prasath Ramar, says S Saraswathi.
Sukanya Verma recaps all those events from 25 years ago.
Anil Kapoor's mastery shows in how he finds the space between an actor reaching out to his actuality while remaining an actor while Anurag Kashyap's comfort in bullying his co-actor fuels their bickering camaraderie, notes Sukanya Verma.
Director Bakkiyaraj Kannan's Remo is a ridiculous romantic comedy revolving around the hero's struggles to win the girl of his dreams.
Zombies, multiverse, tragedy, Japanese culinary traditions, you'll find it aplenty on OTT this week.
Every year in Bollywood brings its share of good and bad. 2019 did too. Sukanya Verma lists what we learned.
Pranaam leaves you even more disappointed, writes Karan Sanjay Shah.
Randeep Hooda's new film is an unfunny comedy.
Sukanya Verma lists the best mystery movies this past decade.
It's time to move on from fights and dances and clich, says Kshmaya Daniel.
Beset by a Princess Syndrome in the past, Kareena Kapoor reigns over this pandemonium like a stately queen, feels Sreehari Nair.
Urvi Parikh does not recommend Namaste England at all.
Pati Patni Aur Woh cannot decide whether it wants to be the climax of a Priyadarshan comedy or give the cad a dose of his own medicine brand of cheeky payback, writes Sukanya Verma.
Gone Kesh is a good-natured coming-of-age tale, applauds Sukanya Verma.
Sukanya Verma lists her five BEST and WORST Bollywood movies of 2019.
Devi is neither scary nor funny, writes S Saraswathi.
When Noor engages in shallow activism for the heck of it, it rambles and drags, feels Sukanya Verma.
Joginder Tuteja looks at the big November hits in the past decade.
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